This weekend we are wrapping up our journey into the surreal. We’ve traveled along many roads of tribute, and the unexplored. We’ve nodded towards the greats while highlighting the up-&-comers. This coming week we’ll be celebrating the last bits of our event in a sort of horror stew. We look forward to doing it all with you.
One thing we haven’t dived right into here yet during this year’s #31Nightmares is horror in sound, or soundtracks, and even in special effects.
Sound effects have been a hobby of mine since early childhood so this is also another subject right up my alleyways.
The composers that took on the horror genre in film & tv have always taught me quite a bit along my work and training in music over the years. This soundtrack sampling I uploaded to SoundCloud earlier this year (The first few tracks on the soundtrack) featured above was heavily influenced by techniques I’ve learned & experimented with over the years.
If 2017 has taught me anything, it’s to not make hasty announcements. Things can always change down the line, especially when collaborating with others. Alicia in the Woods, announced here last year was supposed to be just that, a collaborative effort, but things change.
People change and life changes.
I have however had fun working on this project because I got to take a stab at designing a soundtrack and working with sound fx. Later on through the months spent working on this endeavor, aimed at a teen to adult (family-oriented) audience, I got to experiment and learn a lot about a lane that has always interested me—stop motion.
The project is not canceled completely. We’re just not sure when it will be releasing due to changes with cast & crew. Stop-motion has been a hell of a lot of fun (& work) though and I’ve been happy to work on this storyline and animation/character design as a side project.
The horror genre has influenced me deeply throughout my career as an artist and it helped lead me to the field of concept art.
I’ve got a little treat for you tonight. However, this particular treat was not created without its tricks. I had some technical issues with uploading and audio so I may eventually add subtitles upon request. For now, I’d just suggest turning your sound up so you can actually hear what I’m saying.
If there are any questions, feel free to ask.
During the commentary I go into detail about how these were made. I apologize for any difficulties with the audio as mentioned above. If you cannot hear, please let me know & I’ll make changes.